Whew! Here I am on Day 19 of the NaNoWriMo November challenge, and I must confess that I am getting tired. So far, I have managed to keep up with the daily word count, but it is definitely more stressful. The actual words themselves are not the problem — it usually takes about 5 to 6 hours to complete the required 1667 (or more) words. On a day when I have no other plans, I can finish by mid-afternoon and still have time for non-writing activities.
The real pressure for me comes from having to do the same thing day after day, with no breaks. As soon as I finish one day of writing, I have to start thinking about the next. Writing the book has become the major activity of my life. (I’m retired, so I don’t have a full-time job to worry about.)
On the plus side, I have completed more than 30,000 words of the novel since November 1. Because I started NaNo with an already-begun manuscript, I have now passed the midpoint of the story and am closing in on the home stretch. If I manage to keep up this pace for the rest of the month, there is a good chance the book could be edited, finalized, and ready for publication by March 2022.
Of one thing, I am absolutely certain: I could not do this without the advice, assistance, and support of my beloved co-author. John has been hammering out plot and scene details with me since the challenge began. As I get ready to write each new chapter, we discuss the upcoming events in detail, often debating back and forth about background materials and character motivation.
This coming weekend will be the real test for me. I have activities scheduled for much of the day on both Saturday and Sunday. Will there be time to sneak in some writing? I hope so!
Anyway, I’d better get back to the novel. Many words await me.
You learn a lot about your writing capabilities when you push your limits. After 11 days of participating in the NaNoWriMo challenge, I have learned that I am capable of producing at least 1700 words of fiction per day. It’s not easy and it takes several hours, but I can do it.
I’ve also learned that it requires a road map to get there. The dry-erase board on the wall of our game room now houses the detailed outline for each chapter as I start to write it. My beloved co-author and I are constantly in discussions about what comes next.
The hardest task during NaNo continues to be keeping up with the story. It takes approximately three days to complete each chapter, and often I start the next chapter on the same day I finished the previous one. The chapters switch back and forth between the three point-of-view characters, so I am constantly having to shift gears during the writing to get back inside a different character’s head. At times, I feel like I am racing through the book, trying to catch my breath.
Am I glad that I decided to attempt the NaNo challenge? At the moment, I definitely am. We’ll see how things are by the end of the month.
Anyway, I can’t spend too much time on this blog post today — I still have 1700 words of fiction to write!
I’ll give you another update next Friday.
p.s. Technically, you only have to write 1667 words per day to finish 50,000 words in 30 days and complete the NaNo challenge, but I prefer to round it up to 1700. On most days of the challenge so far, I have completed between 1800 and 2000 words, because I don’t like to halt abruptly in the middle of a scene.
As I mentioned last week, I am trying the NaNoWriMo challenge to see if I can write 50,000 words of fiction in 30 days.
Today will be my fifth day of writing at least 1700 words. (Technically, you only have to write 1667 words per day to reach the goal, but I prefer to round up the number.) So far, I have managed to do that. My word count as of last night was 7735 words, for an average of 1933 words per day.
The task has been both easier and more difficult than I anticipated. Before I started, I was worried about how long it would take to write that many words. Back when John and I first started writing Prophecy’s Malignant Son, it sometimes took me the entire day to finish 500 words. Although writing 500 words has now become much quicker and easier, jumping to 1700 words worried me a lot.
Apparently the discipline of regularly writing every day has paid off. Switching to 1700 words has made my writing day longer, but only by a few hours. If I start writing around 9:00 a.m., I am usually done by 3:00 p.m.
The real difficulty has been keeping ahead of the story. In the past, I tended to write chapter-by-chapter. I would focus my attention on the events and language of each chapter as I wrote it. At 500 words a day, for four days a week, I was usually able to complete a chapter every two weeks, which gave me plenty of time to plot upcoming chapters with my beloved co-author and to think ahead about each scene.
With the higher word count each day, I am racing through chapters. I’ve already finished one chapter this week and should have a second done this morning. I’m forced to think about the next chapter, even as I am completing the current one. John and I had prepared an outline for this new manuscript, but only a general one. Details still need to be hammered out. The two of us have been discussing the upcoming chapters constantly this week, even when we are driving or going for a walk in the neighborhood.
Anyway, I have to get back to writing. I’ve got 1700 words of fiction to produce today.
Talk to you next Friday with another update!
p.s. I hope there aren’t a lot of typos in this post. I don’t have time for much proof-reading.
Well, I’ve made the decision. I’m going to try the National Novel Writing Month (NaNoWriMo) Challenge this year. To succeed in the challenge, you have to write 50,000 words of a novel during the 30 days of November, or approximately 1,667 words per day. You can write extra words or fewer words on any given day, but at the end of the month, your word count must total 50,000 to succeed. (At least, that is the way I understand the rules. There’s an official website, if you want better information.)
The organizers of NaNoWriMo prefer to have the contestants work on a brand new novel. The rules, however, also permit an author to produce 50,000 words of an existing manuscript, as long as all the words are written in November. Any words written before midnight on November 1 do not count toward the total.
That’s good, because John and I are already on Chapter 10 of the sequel to Prophecy’s Malignant Son, and I would rather not lose that momentum by starting something new. As of today, the current word count for the new book is exactly at 41,000. All right, I’ll admit that I did a little word-smithing to get it exactly there, but I really wanted to start with a round number. If all goes well, we might have 91,000 words by December 1 and be nearing completion of the novel. We shall see!
Last November, I did not even consider personally participating in NaNoWriMo. At that time, I was still struggling to produce 500 words a day. This year, however, my life circumstances have changed and my confidence at consistently producing written words has vastly improved. I’ve never tried to write 1700 words of fiction in a single day, but I am ready to make the attempt. John and I have developed a detailed outline for the book, so I know where it is going.
Given all the time I am about to spend on writing, I doubt that I will be able to publish any travel-photo blog posts during November. I will, however, try to produce at least a short post each Friday to let people know how the writing is going.
Anyway, wish me luck! And for any of you who are also doing the NaNoWriMo this year, I wish you all great success!
(This is part 9 of the series describing places that have influenced my writing.)
If you’ve been following my blog for a while. I can guess what you are already thinking: she co-authors fantasy novels and she loves archaeology. Guess what her writing inspiration from the area around Salisbury, England must have been?
Sorry to disappoint you, but no, it wasn’t Stonehenge.
Don’t get me wrong – Stonehenge is great, and my beloved co-author and I visited there during one of our trips to England. (I’ve actually been to Stonehenge multiple times, including twice back in the 1970’s, when they still let you walk among the stones.)
I also enjoyed visiting nearby Avebury circle. While it is not as compact or as iconic as Stonehenge, it has the advantage of being much less crowded. Standing stones have a far more mystical quality when there aren’t a bunch of other tourists around you.
I’m sure that all those mysterious and marvelous menhirs have helped to spark my imagination in subtle ways. Some of my favorite authors have used them in their novels. There is no question that they can be inspiring. They are, however, not the inspiration I am specifically writing about today.
My inspiration from Salisbury was not the cathedral, although it was lovely and well worth the visit.
By the way, you may be wondering why this blog post did not open with a pretty picture of Salisbury Cathedral.
Well, a funny thing used to happen when you took pictures back in the mid-1990’s. You did not have digital cameras to let you know instantly how your picture came out. Instead, you had to wait until you developed the film after you got home to realize that the sun was in exactly the wrong place and sent a terrible glare across your cathedral photos. Sadly, even color restoration cannot cure that problem. So, I’ve included a far-less-pretty picture of the top of some of the cathedral’s archways instead.
All three of those sights — Stonehenge, Avebury Circle, and Salisbury Cathedral — as well as the city of Salisbury itself, are worthy of inspiring any novelist, particularly one who writes fantasy. I’m sure they have and will continue to inspire me in subtle ways.
But the most immediate inspiration came from the delightful, little boutique hotel where John and I stayed when we visited the city. I think the building was actually very old, though it may have been a modern building made to look old. (After more than 25 years, I can’t remember.) It had a four-posted bed and windows with leaded glass.
If you’ve read Prophecy’s Malignant Son, you may remember the scene in Chapter 2 where Daraline looks out the window of her second story room at the inn and sees Fabren approaching through the rain. When I wrote that scene, the boutique hotel room in Salisbury was definitely one of the images I had in my mind.
Do I have a photo of that room? Well yes, but the picture has things like luggage and soda cans in it, so it is definitely not worthy of a blog post. I invite you to use your imagination to picture the room instead. After all, that’s what readers and authors are best at.
It’s always interesting to hear from other writers about the methods they use to draft their novels. Many authors outline carefully and extensively, while others simply start writing and see where the story goes. I’ve heard about some who don’t use a formal outline, but still develop some type of framework to establish where the story is headed.
I’m still not sure which side of the debate John and I fall into. When we wrote 60th Hour, we never drafted an outline, but we had a pretty good idea of where the story was going right from the start. For Prophecy’s Malignant Son, we used a hybrid structure — we did not outline the entire book at the beginning. Instead, we wrote an outline for three or four chapters ahead of the chapter we were currently writing. We were also world-building at the same time, because it was a brand new fantasy universe for us. Obviously, the second draft of the manuscript became very important to tie everything together. Our fellow Emerald Cove writers also gave us valuable feedback. In some cases, their critiques led to multiple revisions of key chapters of the book.
When January 1, 2021, happened to fall on a Friday (the day my weekly blog post is due), I took the plunge and developed some writer’s New Year’s resolutions. One of those resolutions was to draft a full outline for our next novel before we started writing.
We met that resolution. Even before we finished editing Prophecy’s Malignant Son, John and I had already started outlining the sequel. Working together, the two of us came up with a chapter-by-chapter outline, and began writing the new book.
As of yesterday, we had finished Chapter 8 of the new manuscript and started on Chapter 9.
But an interesting thing happened along the way, as we wrote those first chapters. We started going off script. At first, the deviation was minor — a chapter was too long, so I broke it into two chapters. The chapter numbers of the outline changed, but the rest remained basically the same.
The next change was far more substantial. At some point when writing Chapter 6 or 7, an idea occurred to me, which would revise events to add a new (and I think more interesting) plot twist. It won’t change the book’s ending, but it will greatly alter the middle section of the book to add more drama. It also solves a timing issue that had worried me (split plotlines will now come together later in the book). We are still several chapters away from writing the new scene, but we need to revise the upcoming chapters to build up to it. A few of the ongoing character interactions that were originally spread across the entire book will now take place much earlier.
So, having made those changes, are we still writing from an outline? Should we revise the outline to reflect the changes or simply run with them?
Interestingly, I’ve found myself doing exactly what we did with our prior book — outlining three or four chapters ahead. So maybe that really is my outlining “comfort zone.” I guess we’ll see as the book progresses.
For all you authors out there who are reading his blog post: what do you prefer? Do you outline? If not, how much of your story’s end do you know when you first sit down to write. Feel free to leave a comment to the post. I would love to hear from you!
(This is part 8 of the series describing places that have influenced my writing.)
Where does an author of medieval-ish (emphasis on the “ish”) high fantasy novels find inspiration in a tropical paradise like Hawaii? Not necessarily where you would expect.
Yes, Hawaii is everything it promises in all those travel brochures. It has amazing beaches, beautiful scenery, great food, gorgeous flowers, and wonderful Aloha friendliness. Beyond all those good reasons to visit, the Big Island (Hawai’i) also has one more special attraction for me: volcanoes!
When I was a child, volcanoes terrified me. Once, when I was little, our family’s camper-van broke down near Lassen Volcanic National Park in California. We had to wait several days for the parts to arrive so the local mechanic could fix the engine. During those days, I was constantly worried that the volcano would suddenly erupt. (Obviously, the concept of “active” volcano was not entirely clear to me at the time.)
As I grew older, fear turned to fascination. Over the years, I’ve visited other volcanic sites during my travels, including Santorini in Greece, Pompeii in Italy, and Mt. St. Helens in Washington. I even went back to Mt. Lassen a few years ago with my beloved co-author.
Our visit to the Big Island (Hawai’i) in the late 1990’s, in addition to making me fall in love with the place, offered one unique experience that was unavailable at the other locations we visited – a helicopter flyover of an active lava flow.
I remember being surprised at the time, because the lava looked a lot different from the air than I had expected. For one thing, it was daytime, so there were no spectacular colors to light up the night sky. Instead of rivers of fire, the flow looked more like mercury. Only a few spots showed the characteristic fiery red-orange that you always see in the media.
This is the part of the blog where I usually explain how a visit to a particular location influenced my writing. As you know, all those volcanoes in 60th Hour and Prophecy’s Malignant Son… oh, wait…there are none. There are also no volcanoes in our short stories in the Emerald Cove anthologies. So, you might ask, where is the influence?
The most direct influence occurred in one of our earlier, unpublished novels. The story opens in a lava field near a volcano.
Will that book ever see publication? I’m not sure. It would need a ton of work to make it readable. It is far too long and much of it probably needs to be rewritten from the ground up. Ever since John and I started self-publishing, I have debated whether to go back and rewrite the old books or concentrate on new ones instead. So far, the new ones are winning, but who knows in the future?
Even without that unpublished book, I still suspect that the raw power of volcanoes and the colossal forces they exhibit, have influenced my writing in more subtle ways. Like earthquakes, they are forces of nature we cannot control. They remind us that, no matter how technologically advanced we may become, there are things out there far bigger and more dangerous than we are. That’s always a good reminder for a fantasy author.
Talk to you next Friday!
p.s. According to some sources on the internet, the punctuation mark (okina?) is used in the spelling of the Big Island (Hawai’i), but not the name of the state (Hawaii). I hope I have used them correctly here. If not, feel free to chastise me in the comments.
It’s been a while since I provided an update about our Emerald Cove Press projects, so this seems like a good time.
The Emerald Cove writer’s group met at our favorite Denny’s last Friday. It’s great to be back to live meetings again. We had a long discussion about the upcoming shared-world anthology. The cover art is finished and looks great. (Thank you, Sue Dawe!) We considered possible type fonts for the lettering on the cover and talked about the order of the short stories within the anthology. I distributed review copies of the new short story that John and I had written. (So far, we’ve contributed two stories for the upcoming book, both very short and humorous.) While Emerald Cove doesn’t have a specific publication date for the anthology yet, I am anticipating it will be out by the end of the year.
In other news, the second edition of the paperback version of 60th Hour is live and available on Amazon. It corrects a lot of the formatting glitches of the original paperback version and has a new cover. So far, the ebook version has not changed (though I may update it to add the new cover).
My beloved co-author and I are currently on chapter eight of our new novel, a sequel to Prophecy’s Malignant Son. We had originally anticipated publication some time next fall. However, that time table may move up because of my other news:
I think we are going to try the NaNoWriMo challenge in November this year. (National Novel Writing Month.) The idea, as I understand it, is to produce 50,000 words of a novel in 30 days, which comes out to roughly 1,667 words per day. As some of you know, in our husband-and-wife writing team, John helps with plotting and ideas, while I do the actual typing and word composition. I know I can write at least 500 words per day, and when I am really inspired, I can sometimes produce up to 2,000 words with no problem. To do that consistently, every day, for an entire month, however, is both a daunting and exciting prospect. If we succeed in reaching 50,000 words in November, it probably won’t be enough to finish the new novel, but it will definitely move up our publication date.
John and I have also started advertising our books Amazon. I took a basic class to learn about AMS (Amazon Marketing Services) a few weeks ago, and I will taking a more advanced class starting about two weeks from now. If it works out well, I’ll let you know.
That’s about all for now. Talk to you next Friday!
p.s. You may be asking why there a picture of St. George and the Dragon at the start of today’s blog post? Stay tuned for Emerald Cove’s upcoming shared-world anthology to find out!
(This is part 7 of the series describing places that have influenced my writing.)
Few places in the world shout, “fantasy novel setting” more than the Island of Rhodes. The crenelated barbicans and towers rise over the buildings around them in a classic, story-book-castle style. The shoreline boasts magnificent sea walls built of brick and/or stone, and many of the streets are cobbled. Sadly, you cannot see the Colossus of Rhodes there today (except in the the gift shops), but you can still go to the harbor where, according to legend, the statue stood.
My beloved co-author and I visited the island twice. The first time, we toured the museums and historic sights. On the second trip, I spent much of the day wandering the streets and fortifications, taking dozens of pictures with my brand new digital camera and enjoying the scenery. (Digital cameras, with their capacity to store hundreds of pictures, were an amazing invention for me — on our first trip to Greece in the 1990’s, I came back with 16 rolls of film. On our second trip, I may have taken that many digital pictures in Rhodes alone.)
As an aside, I had an ulterior motive in taking all those pictures during our second visit. At the time, I was planning to run a table-top role-playing game for some friends. The game was roughly based on those 1930’s action-adventure movies about an archaeologist who was named after a U.S. state. (Yeah, I know that the movies said he was named after the family dog.) The characters in the game would travel to Rhodes as part of the story.
But this blog is supposed to be about writing inspirations, not rpgs, so let me get back to the main topic.
While the Island of Rhodes does not specifically appear in any of John and my books, I am pretty sure that the fortifications and castle towers were in the back of my mind when I wrote the various castle scenes in our novels. For example, Rhodes was undoubtedly one of the places from which we drew inspiration for the royal palace and the city walls of Cravanse in our latest novel Prophecy’s Malignant Son.
If you are a fantasy novelist, I highly recommend a trip to Rhodes (once the pandemic is over). You will find sights to inspire your writing almost every time you turn a corner or stroll down an alley. Frankly, no matter what genre you write, it is still a great destination. I hope all my readers who like to travel get a chance to visit the island some day.
(This is part 6 of the series describing places that have influenced my writing.)
In June, I wrote a blog post entitled “Five Places to Inspire Writing.” In that post, I briefly mentioned Venice as an inspirational city. After I gave the matter more thought, I decided that Venice really deserves it’s own post. It is one of my favorite places to visit, and its unique sights are wonderful for a writer seeking inspiration.
When I first visited Venice as a teenager, my biggest surprise was that there was no surprise — Venice was exactly as I had always imagined it. It had canals and gondolas, spacious plazas and narrow alleys, historic statues, and restaurants next to the water. When my parents paid for a gondola ride, the gondolier even sang to us. Other places in the world might be disappointing when actually visited, but not Venice. It was every bit as amazing as it advertised.
One of my most vivid memories of that first trip to Venice involves the hunt for the statue of Colleoni. On our last day in Venice, my dad and I went wandering through the city, trying to find the famous equestrian statue of Bartolomeo Colleoni. I think my dad had a guidebook, but not a map, so we made a lot of wrong turns before we finally found it. I remember searching narrow streets, sometimes going down an alley that ended abruptly at a canal. We crossed tiny bridges and seemed to travel through a maze of buildings on our quest to find it. To my teenage mind, it was a grand adventure.
Many years later, I returned to Venice, this time with my beloved co-author. To my delight, I found that wandering through the city still sparked my sense of adventure, just as it had in my teen years. There is something positively magical about a place full of canals and Renaissance architecture. A few things had changed — as an adult with a map, I found it much easier to locate the Colleoni statue again, and I enjoyed the restaurants far more than I did in my youth. But, despite my age, the city still kept its charm and captured my imagination once more.
While I can’t point to an exact passage in any of our books that was based on Venice, I’m sure my time in the city has provided more subtle inspiration. There’s probably a little bit of Venice in the seaside city portrayed in Lord Larrin’s Trophy (the short story in Emerald Cove’s Stolen! anthology). In addition, the hunt for the Colleoni statue has no doubt helped to inspire scenes in my writing where a character is lost in an unfamiliar, maze-like city.