It’s been a few months since the last Emerald Cove Update, so it seems like high time for one.
Emerald Cove’s intrepid authors are currently in the process of assembling, proofreading, and formatting the short stories in our shared-world anthology Exiles of Eeria. Our hope is to release the book this summer, perhaps even in time for San Diego Comic-Con in July. All the stories in the anthology are set in San Diego County, so Comic-Con would be a great place to debut the book — if we can get it ready in time!
And speaking of Comic-Con, Sue Dawe, an amazing artist and one of our Emerald Cove authors, can often be found at her table in Artist’s Alley during the convention. If you’re at the con, stop by and ask her about the “Grysaille” (pronounced Griz – ALE). She might even be able to show you some of her great artwork for the upcoming book.
John and I have also been busy. The second draft of our latest manuscript is now finished and out for review. We’re planning to publish it by the end of summer. Now we just need to think of a good title. Can we get it out in time for Comic-Con? We shall see!
We’re also trying something a little different with one of our current books Prophecy’s Malignant Son. We’ve hired marketing professionals (Bryan Cohen’s Best Page Forward) to help us with a marketing makeover of the book, including a new cover and even a new title. Stay tuned for more details in future blog posts.
This will be an exciting weekend for us! John and I are in the midst of our first-ever Amazon price promotion. Right now, the ebook version of Prophecy’s Malignant Son is on sale at Amazon.com in the U.S. for 99 cents. The sale will continue through Monday. If you like fantasy ebooks and were thinking about buying ours, this is a great time to try it. Right now, the ebook is cheaper than a fancy fast-food burger! (John is a big fan of burgers, so I can say that on good authority.)
My other exciting news — I will be attending San Diego Comic Fest tomorrow (Saturday) at the Four Points by Sheraton Hotel on Aero Drive. It’s the first time I have been to a convention since the pandemic started, and I can’t wait to be there. If you plan to attend the convention, you can find me at the S.T.A.R. San Diego table. Feel free to stop by and chat about books or any other fandom-related topics. I’ve been starved for in-person fannish conversation for two years, and I would love to talk with you all! (Ok, maybe I haven’t actually been starving — we’ve had a few friends over for rpgs and anime-watching — but I’ve definitely been on a diet.)
Anyway, enough news for today. I’ll be back with my regular blog post on the first Friday of May. Talk to you then!
(This is part 9 of the series describing places that have influenced my writing.)
If you’ve been following my blog for a while. I can guess what you are already thinking: she co-authors fantasy novels and she loves archaeology. Guess what her writing inspiration from the area around Salisbury, England must have been?
Sorry to disappoint you, but no, it wasn’t Stonehenge.
Don’t get me wrong – Stonehenge is great, and my beloved co-author and I visited there during one of our trips to England. (I’ve actually been to Stonehenge multiple times, including twice back in the 1970’s, when they still let you walk among the stones.)
I also enjoyed visiting nearby Avebury circle. While it is not as compact or as iconic as Stonehenge, it has the advantage of being much less crowded. Standing stones have a far more mystical quality when there aren’t a bunch of other tourists around you.
I’m sure that all those mysterious and marvelous menhirs have helped to spark my imagination in subtle ways. Some of my favorite authors have used them in their novels. There is no question that they can be inspiring. They are, however, not the inspiration I am specifically writing about today.
My inspiration from Salisbury was not the cathedral, although it was lovely and well worth the visit.
By the way, you may be wondering why this blog post did not open with a pretty picture of Salisbury Cathedral.
Well, a funny thing used to happen when you took pictures back in the mid-1990’s. You did not have digital cameras to let you know instantly how your picture came out. Instead, you had to wait until you developed the film after you got home to realize that the sun was in exactly the wrong place and sent a terrible glare across your cathedral photos. Sadly, even color restoration cannot cure that problem. So, I’ve included a far-less-pretty picture of the top of some of the cathedral’s archways instead.
All three of those sights — Stonehenge, Avebury Circle, and Salisbury Cathedral — as well as the city of Salisbury itself, are worthy of inspiring any novelist, particularly one who writes fantasy. I’m sure they have and will continue to inspire me in subtle ways.
But the most immediate inspiration came from the delightful, little boutique hotel where John and I stayed when we visited the city. I think the building was actually very old, though it may have been a modern building made to look old. (After more than 25 years, I can’t remember.) It had a four-posted bed and windows with leaded glass.
If you’ve read Prophecy’s Malignant Son, you may remember the scene in Chapter 2 where Daraline looks out the window of her second story room at the inn and sees Fabren approaching through the rain. When I wrote that scene, the boutique hotel room in Salisbury was definitely one of the images I had in my mind.
Do I have a photo of that room? Well yes, but the picture has things like luggage and soda cans in it, so it is definitely not worthy of a blog post. I invite you to use your imagination to picture the room instead. After all, that’s what readers and authors are best at.
(This is part 8 of the series describing places that have influenced my writing.)
Where does an author of medieval-ish (emphasis on the “ish”) high fantasy novels find inspiration in a tropical paradise like Hawaii? Not necessarily where you would expect.
Yes, Hawaii is everything it promises in all those travel brochures. It has amazing beaches, beautiful scenery, great food, gorgeous flowers, and wonderful Aloha friendliness. Beyond all those good reasons to visit, the Big Island (Hawai’i) also has one more special attraction for me: volcanoes!
When I was a child, volcanoes terrified me. Once, when I was little, our family’s camper-van broke down near Lassen Volcanic National Park in California. We had to wait several days for the parts to arrive so the local mechanic could fix the engine. During those days, I was constantly worried that the volcano would suddenly erupt. (Obviously, the concept of “active” volcano was not entirely clear to me at the time.)
As I grew older, fear turned to fascination. Over the years, I’ve visited other volcanic sites during my travels, including Santorini in Greece, Pompeii in Italy, and Mt. St. Helens in Washington. I even went back to Mt. Lassen a few years ago with my beloved co-author.
Our visit to the Big Island (Hawai’i) in the late 1990’s, in addition to making me fall in love with the place, offered one unique experience that was unavailable at the other locations we visited – a helicopter flyover of an active lava flow.
I remember being surprised at the time, because the lava looked a lot different from the air than I had expected. For one thing, it was daytime, so there were no spectacular colors to light up the night sky. Instead of rivers of fire, the flow looked more like mercury. Only a few spots showed the characteristic fiery red-orange that you always see in the media.
This is the part of the blog where I usually explain how a visit to a particular location influenced my writing. As you know, all those volcanoes in 60th Hour and Prophecy’s Malignant Son… oh, wait…there are none. There are also no volcanoes in our short stories in the Emerald Cove anthologies. So, you might ask, where is the influence?
The most direct influence occurred in one of our earlier, unpublished novels. The story opens in a lava field near a volcano.
Will that book ever see publication? I’m not sure. It would need a ton of work to make it readable. It is far too long and much of it probably needs to be rewritten from the ground up. Ever since John and I started self-publishing, I have debated whether to go back and rewrite the old books or concentrate on new ones instead. So far, the new ones are winning, but who knows in the future?
Even without that unpublished book, I still suspect that the raw power of volcanoes and the colossal forces they exhibit, have influenced my writing in more subtle ways. Like earthquakes, they are forces of nature we cannot control. They remind us that, no matter how technologically advanced we may become, there are things out there far bigger and more dangerous than we are. That’s always a good reminder for a fantasy author.
Talk to you next Friday!
p.s. According to some sources on the internet, the punctuation mark (okina?) is used in the spelling of the Big Island (Hawai’i), but not the name of the state (Hawaii). I hope I have used them correctly here. If not, feel free to chastise me in the comments.
It’s been a while since I provided an update about our Emerald Cove Press projects, so this seems like a good time.
The Emerald Cove writer’s group met at our favorite Denny’s last Friday. It’s great to be back to live meetings again. We had a long discussion about the upcoming shared-world anthology. The cover art is finished and looks great. (Thank you, Sue Dawe!) We considered possible type fonts for the lettering on the cover and talked about the order of the short stories within the anthology. I distributed review copies of the new short story that John and I had written. (So far, we’ve contributed two stories for the upcoming book, both very short and humorous.) While Emerald Cove doesn’t have a specific publication date for the anthology yet, I am anticipating it will be out by the end of the year.
In other news, the second edition of the paperback version of 60th Hour is live and available on Amazon. It corrects a lot of the formatting glitches of the original paperback version and has a new cover. So far, the ebook version has not changed (though I may update it to add the new cover).
My beloved co-author and I are currently on chapter eight of our new novel, a sequel to Prophecy’s Malignant Son. We had originally anticipated publication some time next fall. However, that time table may move up because of my other news:
I think we are going to try the NaNoWriMo challenge in November this year. (National Novel Writing Month.) The idea, as I understand it, is to produce 50,000 words of a novel in 30 days, which comes out to roughly 1,667 words per day. As some of you know, in our husband-and-wife writing team, John helps with plotting and ideas, while I do the actual typing and word composition. I know I can write at least 500 words per day, and when I am really inspired, I can sometimes produce up to 2,000 words with no problem. To do that consistently, every day, for an entire month, however, is both a daunting and exciting prospect. If we succeed in reaching 50,000 words in November, it probably won’t be enough to finish the new novel, but it will definitely move up our publication date.
John and I have also started advertising our books Amazon. I took a basic class to learn about AMS (Amazon Marketing Services) a few weeks ago, and I will taking a more advanced class starting about two weeks from now. If it works out well, I’ll let you know.
That’s about all for now. Talk to you next Friday!
p.s. You may be asking why there a picture of St. George and the Dragon at the start of today’s blog post? Stay tuned for Emerald Cove’s upcoming shared-world anthology to find out!
(This is part 6 of the series describing places that have influenced my writing.)
In June, I wrote a blog post entitled “Five Places to Inspire Writing.” In that post, I briefly mentioned Venice as an inspirational city. After I gave the matter more thought, I decided that Venice really deserves it’s own post. It is one of my favorite places to visit, and its unique sights are wonderful for a writer seeking inspiration.
When I first visited Venice as a teenager, my biggest surprise was that there was no surprise — Venice was exactly as I had always imagined it. It had canals and gondolas, spacious plazas and narrow alleys, historic statues, and restaurants next to the water. When my parents paid for a gondola ride, the gondolier even sang to us. Other places in the world might be disappointing when actually visited, but not Venice. It was every bit as amazing as it advertised.
One of my most vivid memories of that first trip to Venice involves the hunt for the statue of Colleoni. On our last day in Venice, my dad and I went wandering through the city, trying to find the famous equestrian statue of Bartolomeo Colleoni. I think my dad had a guidebook, but not a map, so we made a lot of wrong turns before we finally found it. I remember searching narrow streets, sometimes going down an alley that ended abruptly at a canal. We crossed tiny bridges and seemed to travel through a maze of buildings on our quest to find it. To my teenage mind, it was a grand adventure.
Many years later, I returned to Venice, this time with my beloved co-author. To my delight, I found that wandering through the city still sparked my sense of adventure, just as it had in my teen years. There is something positively magical about a place full of canals and Renaissance architecture. A few things had changed — as an adult with a map, I found it much easier to locate the Colleoni statue again, and I enjoyed the restaurants far more than I did in my youth. But, despite my age, the city still kept its charm and captured my imagination once more.
While I can’t point to an exact passage in any of our books that was based on Venice, I’m sure my time in the city has provided more subtle inspiration. There’s probably a little bit of Venice in the seaside city portrayed in Lord Larrin’s Trophy (the short story in Emerald Cove’s Stolen! anthology). In addition, the hunt for the Colleoni statue has no doubt helped to inspire scenes in my writing where a character is lost in an unfamiliar, maze-like city.
If you’re an author or a reader of fiction (or both), I’d love to hear the story of how you discovered your favorite literary genre. Feel free to leave a comment after this post or write a comment on Facebook to let me know.
My favorite genre is fantasy. (Yeah, I know…duh! If you’ve been reading my blog posts for more than two minutes you already know that.) My introduction to the genre came through a grammar lesson.
I was in a seventh grade English class learning to diagram sentences. Not exactly the world’s most exciting activity. Although the concept of diagramming sentences was new for most of us in class, it made sense almost instantly to me. While that may be nice in terms of grades, anyone who has mastered a class activity too quickly knows the problem. Once you do, you then must endure hours of the same information being explained in different ways by a dedicated teacher trying to instill understanding in the rest of the class.
Which is to say: I was bored.
Part of the class lesson included a little workbook with sample paragraphs intended to be used for practice in diagramming. As I flipped through the work book in an effort to find something interesting to read, I discovered that each page of sample paragraphs contained a mini book review.
One of the book reviews talked about a Hobbit who found a magic ring. The book sounded intriguing, so I checked it out of the library. After I finished reading it, I attempted to check out the trilogy written by the same author. One of the three books had already been checked out by another patron of the library, so I was forced to wait for the next visit. (The fact that I still remember that after over 50 years shows just how anxious I was to read them.) Eventually I got to read all three books of the Lord of the Rings. I was so young that I didn’t really understand a lot of the social structure portrayed among the “big folk” in Rohan and Gondor, but I dearly loved the Hobbits.
In high school and college, friends introduced me to a wide range of popular fantasy authors at the time: Burroughs, McCaffrey, McKillip, Kurtz, De Camp, etc. By then, I was completely hooked.
Fantasy is now a major genre with its own sub-genres (high fantasy, humorous fantasy, sword and sorcery, urban fantasy, etc.) I recently learned about a relatively new subgenre called “litrpg” (or something similar to that). I’m really not sure which fantasy subgenre I like the best.
So, you all have now heard my story. What’s yours? What is your favorite literary genre and how did you discover it? If you’re a fantasy fan, do you prefer one subgenre over the others?
As authors, we all know that our craft is part inspiration and part discipline. Inspiration is the fun part — those wonderful ideas and words that flow into our heads when we are writing, daydreaming, walking, or doing absolutely nothing. We all love it when just the right phrasing or fragment of dialogue strikes us. (How many times have I rushed out of the shower to write down the perfectly crafted sentence before I forgot it?)
But what about those days when words are not flowing and inspiration seems distant? What happens when you don’t even want to sit down at the keyboard because you know you will stare at a blank screen without typing a word?
That’s when the discipline of writing takes over. Many authors have written about overcoming writer’s block. My favorite method is the “100 Words a Day” plan. (I think I developed it on my own, but if I subconsciously took all or part of the idea from someone else, then I sincerely apologize for not giving the author credit. Please feel free to leave a comment or send me an email and correct my ignorance! No matter who came up with the plan, it works for me.)
The plan is pretty simple. Each day, I make a commitment to sit down and write 100 words of fiction. I can write more than that, of course (and I usually do), but the important thing is to write at least 100 words. It doesn’t have to be great writing or even mediocre writing, but the 100 words must be part of an original work of fiction. If I miss a day because of circumstances beyond my control (like family emergencies), then I have to write at least 200 words the next day. (It doesn’t work the other way, in case you are wondering — I can’t write 500 words one day and then skip the next four days. The point is to discipline myself to write each day.)
It’s very easy to write 100 words — I had already written 100 words in this blog post before I finished the first two paragraphs. Word processing programs usually give a word count, so on those days when writing is particularly difficult, I know when I am nearing the finish line.
Once you have established that discipline, you can even try gradually increasing the daily word count. I currently write at least 500 words a day. However, increasing the minimum number of words is not critical. The most important part is to discipline yourself to write each day. Don’t worry about how good or bad those 100 words might be. If they are garbage, you can always rewrite them later.
That’s all for this blog today. I still have 500 words of fiction to write!
Somehow, despite pandemic malaise and wildfires’ haze, the authors at Emerald Cove Press are making steady progress on the next two anthologies. (And, all joking aside, I think I can speak for all of us at Emerald Cove when I say our hearts go out to those affected by the pandemic and the recent fires.)
Of the two upcoming projects, the one most likely to see publication first is the next themed anthology: Haunted! John and I have finished our contribution: The Ghost in the Mines and are eagerly awaiting feedback from the critique group. Like our short stories in the previous themed anthologies, The Ghost in the Mines is a light-hearted fantasy tale set in the Five Lands of Arbel. It takes place concurrently with the events in Lord Larrin’s Trophy, but in a different land, so there won’t be any cross-over characters. The story chronicles the adventures of a Junior Inspector of Structural Supports, Department of Walls and Columns, Division of Mine Safety, Royal Bureau of Mining (try repeating that fast three times) and what that unsuspecting inspector discovers deep below the ground.
The anthology probably won’t be ready for publication by Halloween (which is too bad, given the theme), but there’s a good possibility it will be out in time for Christmas.
The second upcoming anthology is a bit different from the themed books. For the first time, Emerald Cove is assembling a “shared universe” anthology, in which all the authors’ short stories take place in the same fantasy setting with many overlapping characters.
The fantasy setting is modern day San Diego County. While I freely admit that America’s Finest City has a magical, fantasy quality even on the most mundane days, the Emerald Cove anthology will add an interesting fantasy twist to our beloved urban setting. The book will also feature beautiful Sue Dawe artwork — I may post some of Sue’s preliminary sketches (with her permission) closer to the publication date.
As I mentioned in a prior post, I am still mulling over what to do with my twenty-five year old novel Feast of Five Crowns. I am currently reviewing the manuscript to see what can be savaged and how much will need total rewriting.
In the meantime, John and I have started work on a new fantasy novel. It is based on a premise that I have been playing with for a while, and is set in a universe unrelated to the fantasy settings of our prior stories. We’re still in “world-building” stage at the moment, so I can’t give too many details, but I’ve had fun working on it so far. We’ll see where it goes.
Like all works of fiction, fantasy stories revolve around characters and plot. However, in a fantasy novel, the world itself can also be a major part of the story. A good fantasy book sweeps the reader into another realm, perhaps a place of enchantment or magic, maybe a land of fear or terror, but always somewhere different.
For that reason, foreign travel and fantasy have always been linked in my mind. Stepping into a country where people speak in an unfamiliar language is magical. (And if they write their words without using the familiar alphabet, so much the better!) Castles, pyramids, dungeons, ancient glyphs, statues, temples, cathedrals, and walled cities are the stuff of legends. Merely to walk within sight of them stirs the imagination.
While travel is certainly not a prerequisite for fantasy world building, I have always found it helpful. I do some of my best writing while traveling. The novel (no pun intended) sights, sounds, and smells carry the seeds of a larger-then-life realm. There is no substitute for standing beside the parapet of an actual castle and looking down at the countryside. Other tourists may be taking pictures of the hotel below (and so am I), but part of me is seeing knights and besieging armies instead of parking lots and cars.
Even relatively mundane things can kindle (ok, this pun was intentional) the imagination. I remember walking through an outdoor “wet” market in Singapore and seeing exotic fruits and vegetables which I couldn’t even name. I suddenly felt as if I had stepped into a fantasy kingdom.
Part of fantasy world building is creating a sense of otherness. To travel is to experience that otherness first hand. It can be a marvelous inspiration. I highly recommend it for all budding fantasy authors.
Of course, I also recommend that you wait until after the pandemic to start your exploring. At the moment, it is best to confine your travel to the written worlds of our fellow authors.